中文翻译

这篇案例展示韩国 GLAB Studios 的 Amphion / Atmos 9.1.4 安装，并提供系统图片与应用洞察。

官网原文

Immersive Seoul: GLAB Studios – A Sonic and Visual Masterpiece

Images and insights from a recent Amphion | Atmos 9.1.4 Installation in South Korea

Seoul, South Korea – In June 2021, we had the great pleasure of interviewing one of South Korea’s notable mix-engineers, Bong-Won Shin. You can read more about his specific technique in the archived feature-story link below. But we revisited him, as in the 14 months since, GLAB Studios, where Bong-Won Shin is based, has seen some enormous development. From a powerful stereo studio, it has now morphed into a 9.1.4 Dolby Atmos sonic and visual masterpiece. This growth was due to the vision of Amphion distributor Gearlounge’s president, Junghwa Lee, of which GLAB Studios is part of his operation. He could see the both the market demand and creative opportunities to invest in immersive audio. We posed some questions to Bong-Won Shin about “Room A” at GLAB Studios’ origin and development …

The room has been operating for some months now. How have you found the sonic quality of the Amphion | Atmos room

[GLAB Studio – Mix Engineer – Bong-Won Shin]: I chose Amphion, not only for mixing, but also for Dolby Atmos and immersive monitoring. Amphion speakers have no distortion and offer extremely transparent sounds. Therefore, with the mix created in Amphion, you will experience a very similar studio-worked balance no matter what sound environment you are listening to it in – cars, earpieces, headphones, etc. Also, when I worked on Dolby Atmos with Amphion, I was able to experience accurate localization and a deep sound field.

Gearlounge chose a 9.1.4 and not 7.1.4 configuration. What was the thinking behind this ?

In order to produce sufficient sound pressure as required by Dolby, it had to be composed of 9 channels rather than 7 channels – considering the size of GLAB Studios’s Room A. As the area behind the engineer’s seat is quite spacious, we placed the rear surround speakers further back than recommended. Ceiling speakers had to be adjusted in height for aesthetic reasons, so we set the configuration generously with 9.1.4. As a result, since the number of channels of the speakers is large, it is possible to position objects more accurately and monitor them in detail.