中文翻译

Rui Studio 在沉浸式音频环境中使用 Amphion BaseTwo25 与 Two18，追求诚实、准确的声音。

官网原文

S(e)oul Searching & Spatial Audio – Rui Studio meets Amphion Immersive Audio

Amphion’s BaseTwo25 and Two18 “delivers sound the most honestly and accurately” in an immersive audio studio environment.

Seoul, South Korea – K-Pop, and in fact a wide range of other Korean music styles (soft rock, hard rock, Korean ballads etc) has amassed an enormous global following. We’ve previously posted various interviews and stories on this phenomenon, naming notable entertainment conglomerates in South Korea equipped with Amphions that release this content. However, this time,we tapped a prominent studio – Rui Studio, established by veteran star Lee Seung Chul, and its studio recording director Lee Jung Hyung – for a fresh angle, though firstly putting to them the question “why” Amphion was selected for their Studio A (7.1.4), and secondly, seeking their opinion on the “demand” for spatial audio recordings in South Korea. Touted by Apple Music VP Oliver Schusser as the “biggest advancement ever in sound quality”, this interview aimed to capture an Eastern perspective on immersive audio consumption, and how listeners of the future will prefer to absorb music that emulates how we listen to all sound ie. in a 360° environment, as opposed to stereo recordings. Lee Jung Hyung provided some thoughts …

Regarding your selection of Amphion for your immersive audio room, with such a large range of brands to choose from in the marketplace, what were the Amphion points-of-difference that helped shape your decision ? Performance ? Design Style ? DSP-free ?

An accurate monitoring system is the most important part of a recording studio. Additionally, sincere honesty is really important. That way, when the audience listens to my work, they can truly feel the sound image that I am conveying. After testing various speakers, Amphion’s BaseTwo25 and Two18 deliver sound the most honestly and accurately. They have almost all of the advantages that I always consider important, so I chose them without any hesitation.

Do you plan to use your Amphion room for Stereo, Surround, and Immersive recordings ? ie. a multi-function studio ? Or will this space be a dedicated, single-purpose immersive room ?

In the case of immersive mixing, there are differences from conventional stereo mixing in the way space is represented. As the spatial arrangement changes, the balance must be reorganized, and there are advantages in being able to add a little imagination. Moving forward, we plan to expand the range of music and continue our Atmos work. All sound sources completed at Rui Studio undergo pre- or post-production Atmos creation. In addition, we plan to provide a differentiated performance environment by implementing a new sound system at live venues such as musicals, concerts, and festivals that are linked to us.